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Carl Beam

CARL BEAM - 1943-2005
Carl Beam was born in M’Chigeeng (West Bay) on Manitoulin Island. Of Ojibway heritage, the artist has exerted a strong influence on a whole generation of Aboriginal artists and has been instrumental in the development of the art of Canada’s First Nations.
He obtained a Bachelor of Fine Arts from the University of Victoria and also did post-graduate work at the University of Alberta. His work, executed in diverse media such as drawing, watercolour, etching, non-silver photography, photo transfer, installation and ceramics, has been exhibited throughout North America as well as in Italy, Denmark, Germany and China. It is found in major Canadian and international collections including the National Gallery of Canada, the Art Gallery of Ontario, the Vancouver Art Gallery and the Albright-Knox Gallery in Buffalo, N.Y.
In 2000, Carl Beam was inducted into the Royal Canadian Academy of the Arts. Prior to his death in July 2005 he resided in M’Chigeeng.
 
Carl Beam
1943-2005

"UnTitled"

Jennifer Aniston September 27. 2001 Rolling Stone
 

with

Short Bull, a member of the Sioux tribe, was born in about 1845. He became active in the Ghost Dance movement and in 1890 visited Wovoka at Pyramid Lake, Nevada.

After the murder of Sitting Bull and the events that led up to Wounded Knee Massacre Short Bull was imprisoned at Fort Sheridan, Illinois.

In 1891 Short Bull was released from custody and he was permitted to join Buffalo Bill Cody and his Wild West Show. He remained for several years and made several trips to Europe.

Short Bull died on the Rosebud Reservation in South Dakota in 1915. "

Carl Beam Collections:

More information of the National Gallery of Canada Collection. Click Here

Canadian Council for the Arts Award Click Here

Works available to view at the Vancouver Art Gallery

The Whale of Our Being


Beam entered the new millennium with the body of work entitled The Whale of Our Being, in this work "Beam examines the calamitous moral fallout from what he perceives as a profound spiritual absence in contemporary society, symbolized by a great whale of primordial proportions". featuring large photo emulsion works on canvas, constructions, large scale paper works, and ceramics. "Compared to earlier work, The Whale of Our Being exhibits a positively baroque complexity, a dizzying assortment of references, sometimes printed in overly saturated, fluorescent colour. Mystery, for instance, is pink-Day-Glo-coloured pink. The colour in Summa ranges from Day-Glo yellow-green to orange; the images from Einstein and the Hubble Telescope, and astronaut, and Sitting Bull to and image of the First Nations, and more besides."His imagery had become vast and all inclusive, in The Whale of Our Being "He re-examines the media construction of violence and infamy and the public fascination with celebrity".Said Beam at a panel discussion for the Beyond History exhibition in 1989, "If an artist has a legitimate premise, there is nothing which isn't within their field of enquiry".

Carl Beam: The Whale of Our Being
Joan Murray

Carl Beam gained international recognition in two watershed exhibitions, the National Gallery's Land, Spirit, Power and the Canadian Museum of Civilization's Indigena. His practice is based on collage and photographic imagery and is imbued with Native issues of land and repatriation. The Whale of Our Being, a multitude of paintings and prints (2001-04), makes the whale a metaphor for looking at the world. "Under the umbrella of the whale are commodification and dollars and killing, all things possible. The Whale of Our Being includes whatever has happened to the whale, which in some kind of way happens to everything else."

Robert McLaughlin Gallery (2002) 60 pp 13 col.ill. 8x8 in. softcover 0921500645 $10.00 Can./U.S.


The Whale of our Being - Selected Solo Exhibitions.

2002 The Whale of Our Being, Robert McLaughlin Gallery, Oshawa

2001 The Whale of Our Being, De Leon White Gallery, Toronto
 

Carl Beam - "The Whale of Our Being" series
Carl Beam original mixed media on arches paper

The Whale of our Being series

Jennifer Aniton September 27. 2001 Rolling Stone

with

Short Bull, a member of the Sioux tribe, was born in about 1845. He became active in the Ghost Dance movement and in 1890 visited Wovoka at Pyramid Lake, Nevada.

After the murder of Sitting Bull and the events that led up to Wounded Knee Massacre Short Bull was imprisoned at Fort Sheridan, Illinois.

In 1891 Short Bull was released from custody and he was permitted to join Buffalo Bill Cody and his Wild West Show. He remained for several years and made several trips to Europe.

Short Bull died on the Rosebud Reservation in South Dakota in 1915. "

23" x 30"

$2900.00

Carl Beam original mixed media on arches paper

The Whale of our Being series

 

"LOPEZ""

23" x 30"

$2900.00

Carl Beam original mixed media on arches paper

The Whale of our Being series

"Jennifer Lopez Rules""

23" x 30"

$2900.00

 

Carl Beam original mixed media on arches paper

"The Whale of our Being ""

23" x 30"

$2900.00

 

Carl Beam original mixed media on arches paper

"The Pig and Joker""

23" x 30"

$2900.00

Carl Beam original mixed media on arches paper

"Jolene Blalock October 2001"

23" x 30"

$2900.00

 

Carl Beam original mixed media on arches paper

"Bin Laden" Stamped "The Whale of our Being"

un signed

23" x 30"

$2900.00

Carl Beam original mixed media on arches paper

" Lopez and the Hearts"

23" x 30"

$2900.00

 

Carl Beam original mixed media on arches paper

"Quantum Mysteries"

23" x 30"

$2900.00

 

Carl Beam original mixed media on arches paper

"Eagles and Science"

23" x 30"

$2900.00

CONTACT US

Contact Information

Telephone
604.708.4114
Copyright © 2005 House of the Spirit Bear Art Gallery Inc. All art work is Copyright © 2008
Last modified: 02/23/10